2010 NATIONAL MUSEUM
中国国家博物馆中央大厅景观设计
CHINA HAS A LONG HISTORY, PRODUCED IN THE COURSE OF HISTORY THE SPLENDID CULTURE AND THOUGHT. AMONG THEM, THE YIN AND YANG THEORY IS THE CORE OF OUR HISTORY AND CULTURE AND THE ESSENCE OF OUR COUNTRY'S FOUNDING FATHERS TO UNDERSTAND THE WORLD OF THINKING. "CEREBRA" THOUGHT IS A REFLECTION OF YIN AND YANG THEORY IS THE ESSENCE OF CHINESE CLASSICAL CULTURE AND THOUGHT. WITH THE DEVELOPMENT NEEDS OF TODAY'S SOCIETY, BUILDING A HARMONIOUS SOCIETY HAS GRADUALLY BECOME THE SUBJECT OF CHINA'S SOCIAL DEVELOPMENT, AND BUILDING A HARMONIOUS SOCIETY THE MEANING OF THE THEME, EMBODIES THE ESSENCE OF CHINESE CLASSICAL CULTURE, IDEOLOGY. NATIONAL MUSEUM OF CHINA, IS CHINA'S LARGEST AND MOST AUTHORITATIVE HISTORY MUSEUM, NATIONAL MUSEUM NEW BUILDING IN THE DESIGN OF THE HALL, WE WILL "CEREBRA" AS THE THEME, SHOWING THE STATUS OF NATIONAL MUSEUM OF CHINA AND CHINA'S PROFOUND HISTORY AND CULTURE.
1, DESIGN
ORIGIN, "YIN-YANG THEORY"
THE CONCEPT OF YIN AND YANG, FROM THE ANCIENT CHINESE PEOPLE'S VIEW OF NATURE. YIN AND YANG, REPRESENTING THE MOST FUNDAMENTAL ANTITHESIS OF EVERYTHING
YIN - THE COLD, THE DARK, INTO THE SPOTLIGHT, AS MATERIALIZED.
YANG - THE HEAT, AS LIGHT, AS THE TECHNOLOGY FOR THE GASIFICATION.
YIN IN YANG, YANG THERE IS YIN, INFLATABLE THAT AND (LIKE THE INVISIBLE AIR SEPARATED THE YIN AND YANG, TO THE HOME IN ITS PLACE.). THE ANCIENTS OBSERVED NATURE IN ALL KINDS OF OPPOSITION, AND LINKED TO NATURAL PHENOMENA SUCH AS EARTH, SUN AND MOON, DAY AND NIGHT, COLD AND HEAT, TO PHILOSOPHICAL WAY OF THINKING, SUMMED UP A "YIN AND YANG" CONCEPT. BACK TO THE SPRING AND AUTUMN PERIOD AND THE LAO ZI YI TE CHING YIN AND YANG ARE MENTIONED. YIN AND YANG THEORY HAS PERMEATED ALL ASPECTS OF TRADITIONAL CHINESE CULTURE, YIN AND YANG IS "UNITY OF OPPOSITES OR CONTRADICTION BETWEEN" A DIVISION OR A SUBDIVISION, THEY ARE SPECIES RELATIONS. YIN AND YANG THEORY IS SIMPLE DIALECTICS COLOR, SOCIAL PRACTICE FOR THOUSANDS OF YEARS TO PROVE ITS CORRECTNESS.
“ROUND SKY AND SQUARE EARTH”
“ROUND SKY AND SQUARE EARTH” IS A REFLECTION OF YIN AND YANG THEORY. THE ANCIENTS THE WORLD IS NOT DIVIDED, CHAOS BROKE OUT, LIKE AS TAI CHI TWO APPEARANCES ON THE DRAW OF THE YIN AND YANG, CEDED THE WORLD. THE ANCIENTS OF MANY STARS FROM THE COMPOSITION OF THE VAST UNIVERSE, KNOWN AS "DAYS", DURING WHICH THE SURVIVAL OF THE LAND BASED ON KNOWN AS THE "LAND", SUCH AS SUN, MOON AND CELESTIAL BODIES ARE IN A CYCLE, NEVER-ENDING CAMPAIGN, IS LIKE A CLOSED CIRCLE NO BEGINNING AND NO END; THE EARTH, WHERE THEY QUIETLY CARRY US, JUST AS THE STATIC STABILITY OF A SQUARE OBJECT, SO "“ROUND SKY AND SQUARE EARTH”" CONCEPT WILL BE THE RESULTING. THROUGHOUT THE NATURAL WORLD, ALL ROUND OBJECTS, HAVE THE CHARACTERISTICS OF RESTLESS AND UNSTABLE, LIKE A ROUND MOON AND THE GENERAL; ALL SQUARE OBJECTS, HAVE THE CHARACTERISTICS OF STATIC AND STABLE, AS QUIET AS THE EARTH. ACTIVITY FOR THE SUN, QUIET AS THE YIN, CHAOS IN THE "DAYS OF ROUND" HAS BECOME A SYMBOL OF YANG, REPRESENTING ALL POSITIVE, ACTIVE THINGS, SUCH AS DATE, DAY JUST, HEALTHY, MALE, JUN, HUSBAND, BIG, AND MORE, THE PROGRESSIVE , DYNAMIC, POSITIVE, ETC.; "LOCAL" HAS BECOME THE SYMBOL OF YIN, ON BEHALF OF ALL THE NEGATIVE AND PASSIVE THINGS KISARAGI, NIGHT, SOFT, SMOOTH, FEMALE, MINISTER, WIFE, SMALL, LOW, LOWER, BACK, STATIC, NEGATIVE AND SO ON. “ROUND SKY AND SQUARE EARTH” IS "HEAVEN," A NOTE, TO PROMOTE TRADITIONAL CHINESE CULTURE, "MAN AND NATURE", PAY ATTENTION TO FOLLOW THE EXAMPLE OF NATURE, THIS WORLD VIEW IS A SPECIAL COMMENT.
2, METHODS
1) GIANT TRIPOD SYMBOL "TIANYUANDIFANG" EMBODIES THE ESSENCE OF TRADITIONAL CULTURE.
NEW HALL OF CHINA NATIONAL MUSEUM OF THE MAIN ENTRANCE HALL, LEFT AND RIGHT SIDES OF THE SET OF A GIANT TRIPOD. GIANT DING DESIGN COLLECTION OF PRECIOUS RELICS FROM SUB-DING-DING AND THE DIVISION GENEROUS MOTHER E. BOTH LEFT AND RIGHT AT THE ENTRANCE OF GIANT TRIPOD SIDE, A ROUND ONE, WEIGHING MACHINE MERGER, A SYMBOL OF HEAVEN AND EARTH, EMBODIES THE ESSENCE OF TRADITIONAL CHINESE CULTURE - "ANCIENT CHINESE PHILOSOPHY." DING BODY ENGRAVED WITH ANCIENT CHINESE BRONZE VESSEL-SPECIFIC LINES - CHEUNG MOIRE YUNLEI WEN, TAOTIE BRONZE VESSELS AND OTHER PATTERNS, REFLECTING THE BRILLIANT ACHIEVEMENTS OF ANCIENT CHINESE ART. GIANT TRIPOD MADE OF TWO LARGE BAIDUNZI BY THE CONCRETE SUPPORT, BAIDUNZI OUTSIDE PACKAGE WITH RUST STEEL, STEEL PLATE ON A HOLLOW OF AUSPICIOUS PATTERNS. HOLLOW STEEL AND SOLID CONCRETE PIER COMBINING ACTUAL SITUATION, EXPRESSED IN THE YIN-YANG THEORY OF "FALSE AND TRUE" CONCEPT, REFLECTS THE HARMONY AND UNITY OF THE NATION THOUGHT. OVERALL MORAL STATUS AND ROLE OF THE NATIONAL MUSEUM OF CONSISTENT, REFLECTING THE CULTURAL CONNOTATION OF THE NATIONAL MUSEUM.
2) THE USE OF LARGE SCALE AND PROPORTION OF OPEN, REFLECTING THE MOMENTUM OF SOLEMN
THE SIZE OF TWO GIANT TRIPOD, AND THE SECRETARY IN THE SUB-DING-DING MOTHER E GENEROUS BASED ON THE ACTUAL SIZE OF ENLARGED TEN TIMES, PLACED IN THE SIX METERS ABOVE THE SUPPORT. YUAN DING'S OVERALL HEIGHT TO 16.3 METERS, THE OVERALL HEIGHT OF SIDE DING REACHED 19.9 M, PLACED IN 30-METER-HIGH HALL, NOT ONLY ENRICHED THE SPATIAL PATTERN OF THE HALL, AND THE FORMATION OF EXTENSIVE MOMENTUM; TWO TRIPOD 22 M APART VERY OPEN, WILL LEAD TO A DIRECT LINE OF SIGHT WITH THE ENTRANCE HALL OF THE EAST WALL OF THE HUGE MURAL ON TOP, FORMING A REFRESHING FEELING. THIS MAJESTIC, MAGNIFICENT MOMENTUM, AND THE CHINA NATIONAL MUSEUM OF THE ARCHITECTURAL STYLE APPROPRIATE TO REFLECT THE UNIQUE POSITION OF THE CHINESE NATIONAL MUSEUM AND THE SOLEMN GREAT MOMENTUM.
3) THE INTRODUCTION OF GREEN PLANTS, REFLECT THE HISTORICAL AND CULTURAL VITALITY
GIANT TRIPOD AT THE TOP, BOTTOM, AND PLANTING GREEN PLANTS SUPPORTS THE WHOLE BODY, TO SYMBOLIZE HEAVEN, EARTH, HUMAN HISTORY AND CULTURE OF CHINA CONSTITUTE THE THREE IMPORTANT FACTORS. DING IMPLANTED IN THE ROUND 10 TALL GREEN PLANTS, SYMBOLIZING THE "HEAVENLY STEMS"; DING IMPLANTED IN 12 SQUARE TALL GREEN PLANTS, SYMBOLIZING THE "EARTHLY BRANCHES." "ATTRIBUTION" IS NOT ONLY FOR OUR COUNTRY SINCE ANCIENT TIMES THE CALENDAR, AND ALONG WITH THE DEVELOPMENT OF OUR HISTORY, WAS GIVEN A VERY RICH SPIRITUAL MEANING, HISTORY AND CULTURE I HAVE BEEN AN IMPORTANT COMPONENT. IN THE GIANT TRIPOD DESIGN WILL "HEAVEN" AND "LAND" OF "PEOPLE" AND THE THREE ELEMENTS OF "ATTRIBUTION," INTO WHICH NOT ONLY NATIONAL MUSEUM DISPLAY SHOWS THE POSITIVE SIGNIFICANCE OF CULTURE AND VITALITY, BUT ALSO THE CONCEPT OF "WEATHER, GEOGRAPHY, AND "THE GOLDEN AGE OF THE SITUATION.
4) THE USE OF COLORS
IN THE GIANT TRIPOD DESIGN, THE USE OF IMITATION BRONZE RUST EMERALD SKIN, POSITIONING THE IMAGE OF THE GIANT TRIPOD IN THE HISTORY OF REGRESSION; DING COLOR THAN THE BRIGHT SIDE OF GROWING PLANTS, CREATING A LIVELY ATMOSPHERE. GIANT DING OLD IMAGE AND THE SURROUNDING PLANTS AND STATELY HALL, THE PROPORTION OF CLASSICAL COMBINATION OF A CLOSE, AS IF FROM THE MOMENT OF ENTRANCE INTO THE HALL, BACK TO HISTORY, CREATING A SENSE OF TIME AND SPACE, THE NATURE OF THE OVERALL MEET THE NATIONAL MUSEUM THE REQUIREMENT THAT THE STUDY OF HISTORY, SHOW HISTORY, HISTORIC PRESERVATION REQUIREMENTS.
